Final Fantasy VII – Deploy the Dolphin

The first major feature of the Junon region isn’t Junon itself, but rather a place called “Fort Condor,” found in the south near your exit tunnel. Fort Condor is a mountain with a few rooms inside, and is so named because of the giant bird on top of its peak. The Condor has laid an egg and Shinra wants it, to such a degree that they launch armed assaults on the fort nearly 24/7. This creates something of a dissonance in the fiction that was a source of comedy for me and Kyle, given how Shinra seems to have enough soldiers around to try to make an omelette, but not enough to accomplish any number of other military tasks that come up across the course of the game.

The point of Fort Condor was to house a mini-game, a full-featured real-time strategy game with (unfortunately) just one map. The idea is that you use your own party’s money to buy mercenaries to defend the mountain, then deploy them as you see fit. The game is gruellingly hard if played fair, and unrelentingly slow, which made it all far more than we could take. If you’ve never played the game, you have no idea how long it takes even to deliberately lose. The rewards aren’t even worth it, which is to say, the rewards aren’t not only aren’t worth the time, effort and gil spent to win the mini-game, but they also weren’t worth the effort it takes to even get to the mini-game, as you have to keep going back to Fort Condor across the course of the game if you want every single available reward. You’re supposed to be able to pay the fort off to defend itself in your absence (something that takes far less money than actually defending it, might I add) but you get fewer rewards for doing so. Like I said, it’s not worth it.

Finally you head up the coast to Junon, which is Shinra’s second and arguably only other town, a coastal city. While you only explore the buildings on the coast at first, I do want to talk about the city’s design in general. Junon, as I said in the Crisis Core Journal, is a fortress made up of a city of layers. This was an odd decision on the part of the original FFVII. While a city made up like a layer cake is fairly unusual from an over-the-shoulder perspective like Crisis Core, from an angled top down perspective, it’s essentially just a series of straight lines, and FFVII had to position the camera from some really awkward angles just so the identical streets would looks somehow distinct from one another. I suppose I’m mentioning this here instead of in Crisis Core because every time I went to Junon in FFVII, I would think, “Wow, this place looks awful! Didn’t this place not used to look awful? Oh, wait, that was the other game.”

Bottomswell is green to indicate that it’s been poisoned.

There, we met a girl named Priscilla and her friend, Mr. Dolphin, who, just in case I needed to clarify, is in fact a dolphin. Priscilla mistook us for Shinra troops. Geeze, what confused you? The heavy weapons or the man wearing a SOLDIER uniform? We only won her trust thanks to the timely arrival of a boss monster from the polluted waters. This was the Bottomswell, a sea serpent able to trap characters in a drowning bubble when attacked. The drowning bubble has to be attacked by your party members to break it, but is targeted in an entirely different way from Reno’s pyramid. This makes the bubble a good example of FFVII’s rocky, “developed as they went along”-approach. We’ve seen several games that seem have to be developed in a similar manner, starting incomplete and refining as the game’s story went along (FFLI and II especially), but those games were merely weird under the microscope. FFVII, meanwhile, presumably as a consequence of the brand new world of 3D gaming, is left with some really shoddy mechanical moments that are sometimes fixed later in the same game, or were simply changed outright at a later point, adding a level of confusing irregularity. Incidents like this are why the game still needs a thorough ironing to this day.

After the fight, we had to revive Priscilla with some Hollywood CPR in the form of a minigame, after which she was happy to help us get up to the upper levels of Junon by, urm, riding on Mr. Dolphin’s nose as he did high jumps. Whatever you say, FFVII. By the way, I’d be in the wrong if I talked about things in this game that need ironing and not talk about the fact that one of the Fort Condor missions springs up at the moment you start the mini-game with the world’s strongest dolphin, and is sealed off by the time you’re able to return to the world map. Which, by the way, you can’t do after you clear the dolphin minigame. That means that if you want the prize, you have to bail out mid-minigame just to grab it. Sheesh.

I got through the jumping mini-game almost entirely through luck. I’d have a few choice words about my issues about platforming in isometric games, which includes a good deal of bitterness left over from Landstalker: The Treasures of King Nole, but I’ve decided to sit on my hands and simply hope that it never comes up again. Cloud infiltrates the facility alone, because the dolphin doing three dozen jumps to get one heavy human being to the second floor is reasonable, but doing it for two other party members is just out of the question! Once inside, Cloud disguised himself as a Shinra grunt and got roped into a parade for Rufus Shinra, who had just arrived on-scene. This led to the very memorable but also frankly ludicrous situation where your attempts to march in formation somehow determined the television ratings for the parade. And let’s not even talk about the fact that a soldier marching out of step would definitely grab more ratings out of sheer comedy than someone marching in step. Thankfully (and if I may say so, rightly) the prizes for this are low-value and easily replaced. More valuable were the prizes you get from Rufus himself when presenting arms in a later scene, and Kyle repeated the task just to get the top prize. Ironically, one of these prizes is irreplaceable, a permanent HP Up item that’s found not at rank 1, but rank 2! I suppose I’d be remiss if I forgot to mention that the game forgets to tell you one of the buttons for the presentation of arms, but Kyle pulled it off by basically mashing everything.

I skipped past a bit of content in that last paragraph, but it was mostly shops and the like. Honestly, the most significant thing in this entire section besides the mini-games was a scene with the Turks at a bar, which is where you frankly see them a lot.

After seeing Rufus off (he was bound to another continent on the trail of Sephiroth), Cloud snuck on board Rufus’ cargo ship, where he discovered that the rest of the party had already gotten ahead of him, making this whole sequence memorable but completely pointless. After reuniting with everyone, we heard word of a stowaway on board. Hoping it wasn’t one of the party, we started to search the ship and found half the crew dead, killed so efficiently that, apparently, no one was able to get out a word of further warning! Yikes! Of course, the stowaway was Sephiroth, though when we encountered him he… flew away… and left behind nothing less than a strange, mutated part of Jenova called “Jenova BIRTH.” You know, I’m not sure why I’m surprised that Sephiroth could fly like Superman, considering there was no other way he could have left Shinra HQ. In any event, aside from BIRTH’s ability to use Stop, the battle wasn’t really that notable and ended quickly enough. Soon the party was off at Costa del Sol, a resort town, with everyone on the ship acting as though there hadn’t been an attack by a horrible flesh monster in the engine room moments prior. I’m not sure what to say about the editing in FFVII, but something’s screwy, that’s for sure.

Costa del Sol was full of interactions, and looking online, it seems Kyle and I somehow missed a whole whack of them, including an encounter with minor NPC Johnny from Sector 7, and a villa you can outright purchase! Maybe I was eating or something when I should have been taking notes? One of the interactions we did see involved Yuffie temporarily leaving the party to work part time and sell the party Materia. The most important interaction was probably with Hojo from Shinra, but even that could be easily summarized as an exchange of taunts, and we were swiftly back on the road on the trail of Sephiroth.

After leaving Costa del Sol, we shuffled the party, my notes reminding me that “Operation ‘Don’t Use Aeris'” was apparently still in effect! Yeah, we weren’t so fond of her, sorry to say. In fact, I’d go so far as to say that’s a function of the game’s party system? Like I said at the end of Midgar, written at the end of a previous session, the game gives up on accounting for all party members from this point out, and as a consequence, it doesn’t feel like your entire party is with you at all times, just the three in the immediate party. The forced party members from the linear opening got a lot of character development, but now that we’re in the real world, it doesn’t seem to matter who we bring with us at any given moment. Now don’t get me wrong: I feel FFIV’s way of forcing the party to shuffle around without warning was even worse than this, but I feel like FFVI did an okay job at giving everyone enough screen time? I admit it’s a hard trick to pull off, but that doesn’t make it less disappointing how I have no emotional attachment to half of our party here in FFVII, growing to 2/3rds of our party by game’s end!

Up the path from Costa del Sol was a mountain path dungeon that played home to the Corel Mako Reactor, a reactor surrounded by a whole rollercoaster worth of busted minecart tracks. The music in this area kept swapping between one mood or another, like it couldn’t make up its mind which atmosphere it wanted to go for. While the reactor made for an interesting spotlight zone, most of the dungeon took place on the minecart tracks… or under them as the case may have been. You see, the game hid items on the scaffolding of the tracks, so you had to voluntarily fall off and climb back up to find all the items! Square did something similar in the final dungeon of Mario RPG, but this is a much better implementation.

Should you have ignored the hidden items, the dungeon could have been cleared very quickly, but I want to clarify that it’s not necessarily a complaint. Not only do I understand that dungeons are shrinking because of the time-consuming process of creating unique backgrounds, I also understand the space limitations of CD format. On top of all that, I actually prefer these smaller dungeons to the maze dungeons from the 2D era. I never want to see anything like Ronka Ruins again and I welcome this shift to a tighter focus wholeheartedly! It makes for much more enjoyable gameplay on my part at the very least, though it does tend to look a little shallow in Journal format. Now that I’ve noticed the problem, I’ll see what I can do to jazz it up… probably by not calling attention to it unless I really am bored.

RickyC is a better person than us.

Oh, but before we leave the dungeon, let’s not to forget the classic “We’re the heroes” moment where we killed a mother bird for prizes that we probably never even used, leaving her children to starve. “Times are tough,” Cloud said by way of justification. Too true.

After the dungeon, we arrived in what remained of the town of Corel, a mining town that had been destroyed a few years back for reasons tied up in Barret’s past. Barret explained after the fact: the town voted to stop being a coal-mining town and to start hosting the Mako reactor we saw up the hill. A man named Dyne opposed the Mako plant on a traditionalist basis, but the rest of town went through with the plans without his support. The game makes it clear the coal had been mined for generations, which it presents as a point of pride and a counter-argument for adopting the reactor. Coal represents the Traditional Way of Life, and That is Good. Unfortunately, the coal angle made the opposite impression for me. If you’ve been mining coal here for generations, it sounds to me like you might soon run out of the stuff, which has been the death of many a real-world mining town, leading to the poverty and displacement of its unfortunate occupants! Coal isn’t eternal, which is something that an environmentalist game like FFVII should have been aware of! It seems that FFVII’s anti-modernization/urbanization narrative was more important to the developers than its environmentalism narrative, because FFVII ignores the limited fossil fuel problem entirely, even though it’s sitting like, right there, just right there!

Tragically, at some unspecified period of time after the vote, the original town of Corel was burned down by Shinra troops, supposedly because of an explosion at the plant that they blamed on terrorists. Ironically, when I first saw this I assumed the plant had melted down or otherwise exploded of its own accord, and Shinra had blamed the townspeople as a way of covering up for their own fuckup, but later evidence (and the fact that the plant is still in operation to this day) suggests otherwise! Which is strange, isn’t it? It really does seem like a stock meltdown narrative: the evils of modernization (nuclear power) and the good of traditionalism should be demonstrated by showing the evils of modernization, right? And not… what this turns out to be?

I have so many issues with this game’s moral message. The villains are cartoon characters and the evil life-sucking technology hasn’t really demonstrated the dangers of its life-sucking in more than a scant handful of ways (like the dark land around Midgar)? By the time the game finally reinforces that mako use is evil by the end of the game, it’s in response to a new bad guy, similar to the damaged environmentalist message of FFV. Remember, FFV accidentally stopped saying “Support the environment or the environment will collapse,” and started to say “Support the environment or an Evil Tree Ghost will kill you.” Despite a better head start, FFVII eventually heads down the same, grungy path! I cannot believe they made the same mistake twice! I’m getting ahead of myself, but would it be asking too much for the game to back up what it’s trying to say?

You know, it really goes to show that by the time of Advent Children and its short-story compilation tie-in, On the Way to a Smile, Barret is off looking to modernize the world, and in a way that would pollute like hell. It’s as though On the Way to a Smile and Advent Children were going in the exact opposite direction from FFVII. Either the sequels had a different set of politics and were ready to call FFVII’s shaky bluff, or they simply forgot about the environmental message in the same manner as FFVII itself! I find myself believing the world of On the Way to a Smile a lot more, too, and while that is a compliment to On the Way to a Smile, it’s also got a lot to do with FFVII being a great, disorganized mess.

Prev: Final Fantasy VII – Sephiroth’s “O”-Face
Next: Final Fantasy VII – “Final” “Fantasy”

Screenshots in this Journal come from RickyC’s longplay of the original PSX release of Final Fantasy VII available from World of Longplays (YouTube).


  1. I think that when it comes to characters, my own approach of trying to keep everyone except Cloud at exactly the same level (and therefore swapping out my party pretty much every time someone leveled up) probably worked a lot better for getting to know the characters. I actually ended up liking most of them that way.

    Also, as someone who was going to use all the characters anyways, I didn’t really like FF6’s system that much. I didn’t like that I couldn’t just bring a party of my lowest-leveled characters to various boss fights if I wanted specific abilities that weren’t magic, and I didn’t like having to re-learn every spell with every character, since I had to juggle which characters had the lowest numerical levels with which characters were lacking in important spells. In FF7 it was much easier since I could easily swap materia between characters in the menu screen.

    1. Yeah, definitely on the materia vs magicite training point, but I have a feeling Kyle would just say that makes the characters more interchangable? Maybe the ideal approach for a large number of gameplay-customized, narratively-strong characters would be something more akin to FFD, where you have two full parties to customize, with entirely different customization options, but they never overlap? (I can’t say how well that works, since I haven’t played the game more than a little for curiosity’s sake.)

      EDIT: By the way, during your playthrough(s) where you swap characters out to even levels, do you find Cloud tends to run very far ahead? Proximate? Do you find that his extended absence later on compensate for that?

      1. I think I just don’t care as much about characters feeling interchangeable XP As long as I can use everyone relatively easily, I don’t really care if they all feel similar. Though you might be right about the ideal approach; I didn’t play FFD but I did like FF13 splitting the characters into two parties so you were forced to use all of them. Or maybe like FF 10, where all of the characters had very defined roles (unless you were messing around with the sphere grid a lot, which I didn’t) but also could swap them out very easily on the fly.

        Yes, Cloud always ends up pretty overleveled relative to the other characters, and he gets his limit breaks first too. Though, there seems to be some level of scaling on how fast he gets limits and maybe levels to compensate for that. Cloud’s absence… well, it depends on how much sidequesting I do without him but he does end up being much more in line with the rest of the party, though I never remember him being specifically underleveled.

        And now I’m wondering how it worked for you? Did Cloud tend to lag behind the other characters in the party or was everyone on the same level?

      2. Yeah, Kyle’s pretty fond of FFX’s system, though I don’t know anything about it yet!

        That makes sense about the sidequests. That’s an interesting point about them maybe compensating for his absence, I wonder if they do…?

        As to Cloud’s level, welllll… we dashed through Cid’s tenure as leader pretty fast. Losing Cloud on his own, fine. Losing Cloud and Tifa, AND shelving Yuffie for that stretch of time for reasons I’ll discuss in a few posts left us… how to say… on the wrong foot. So we were kind of in a hurry to get them all back! Long story short, in the finished game folder, Cloud is still ahead of the rest of the party by 3 levels!

      3. I actually was talking about them compensating for him being in the party more than other characters. Cloud’s limits take forever to get relative to other characters if you’re grinding for them; the only reason I tended to get them first is because I used him so much.

        Ah, yes, that makes sense. Honestly, one of the reasons I’m happy I used all the characters is because I just know I would have mained Tifa and Aeris at the start (I was living under a rock at the time and all I knew about FF7 was that the characters showed up in Kingdom Hearts…). In other words, all three of the characters that get forced out of the party.

      4. We managed to get Cloud up to Meteorain, which is a little funny honestly because he was one of only two characters to get that far!

        Haha, yeah, that makes sense, good thing then. Me, I have a bad habit of swapping in unused characters in the Shining Force games, which are games that definitely don’t return well for training weaker characters. Sometimes I wonder why I don’t do the same with turn-based games? In the Marathon’s case, it’s probably because of the Marathon’s origins as a speedrun challenge, even if it barely resembles that today.

  2. The weirdest thing about Costa del Sol is Hojo having a tan on the beach. I did find it funny how Heidegger gets frustrated with Rufus and tries to punch random people (and Cloud, if you goof off during his conversation with Rufus in Junon!) to vent his frustration, though.

    I also agree: by the end of VII, I had no real attachment to most of the party members. Cloud and Tifa were alright and Yuffie’s pretty amusing, but… that’s pretty much it? I don’t really have anything against Barret, but he’s just kinda there after the shift in focus from Shinra to Sephiroth. Cid is a bit too abrasive even if he can be entertaining at times, Cait Sith and Nanaki are… also just there, Aerith dies on Disc 1 of 3, and I find Vincent to just be an awful character who is also awfully written. “I feel bad that I let my beloved become a test subject, so I’ll just sleep away my guilt to atone.” Fantastic.

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